An
exhibition of the work of , until recently, little known artist Saloua
Raouda Choucair at Tate Modern, raised some interesting questions
this week.
http://www.tate.org.uk/whats-on/tate-modern/exhibition/saloua-raouda-choucair
It
is a small exhibition by Tate standards showing a range of Choucairs
paintings, sculptures and macquettes. The paintings, mostly abstract
with titles such as 'Composition in Yellow' and 'Visual Meter' used
shapes and colours that worked in subtle harmony, really quite
lovely.
Perhaps
working at the same time as the great experimental giants of the 20th
century Choucair also felt the need to push beyond the boundaries of
paint and so began making sculptures in the 1950's. These were often
modular in structure, echoing her paintings, using wood, stone, metal
and plastic. Rather disappointingly most of these simply didn't work.
They felt contrived, forced, lacking in depth.
How
sad that the visceral essence which seems to me to be so vital in
making art had been so lost in translation.
And
for me a lesson in persistence, finding ways to coax myself on...a
spoon full of sugar helps the medicine go down...
| sweet detail constructed drawing |
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