A quick trip up to London yesterday found me
winding my way through the throngs of the Southbank to see the Ana Mendieta exhibition
Traces at The Hayward Gallery London.
This comprehensive show of Mendieta’s work includes film, documentary
photographs, drawings and sculptures. Her early works are fascinating,
experimental, brave and varied using her own body to explore the boundaries
between absence and presence, a common thread of many of the women artists that
I admire.
Sadly she fell out of a New York apartment window
when only 37 years old…another early death. By this time she had begun to gain
some recognition for her work developing her Siluetos, imprints of her body in nature. The show leaves one
feeling that for a short time before her death her work had got rather stuck in
a groove. Perhaps the exhibition gives too much space to not much, not quite
enough culling and cutting which is a shame. Had she lived would she have
succumbed to the wiles and charms of success or pushed her work to break
further boundaries? We will never know of course but at least we have the privilege
of her legacy.
As my intervention
at the local museum draws to a close I am pleased (after some initial reeling from
the punches) that it has been causing some controversy. Ruffling feathers and stirring
up some strong(ish) feelings from the dusty depths, my wrapped cups and saucers
apparently causing offense! I amuse myself by wondering what they would have
thought of one of Mendieta’s Siluetos
hanging in ‘their’ window!
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| absent or present? |

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